(By the time the Firebirds appeared, the first Gibbys offered in solid colors other than gold and black, Gibson was using DuPont Lucite, an acrylic automotive lacquer. to factory color - coding and without needing 252 GUITAR PLAYER REPAIR GUIDE. And there was a longstanding tradition of using black paint to "correct" boo-boos and of course in '53 the Les Paul Custom.īut what was Gibson using? Did they just homebrew their black like everything else, adding the black dye they had to their nitro?* Or did they buy commercial black paint? And if so, was it an enamel or a lacquer, and if the latter did they transition from nitro-based to acrylic-based in the mid-50s like most of American industry did? Seymour Duncan's SPH90 Phat Cat P90, Gibson's P - 94, Kent Armstrong's P90. There were certain all-black guitars, including some iterations of the L-0, L-00 and L-10 (although it has been suggested that these instruments were stained black instead of painted). Almost all their headstocks were black, either a dyed holly plate (for inlaid headstocks) or simply black paint for less-expensive models that only rated a silkscreen. ES-175, Flying V, Les Paul, S.G., L-5, Byrdland, Gibson, Casino and Epiphone are registered trademarks of Gibson Guitar Corp. Gibson had a long tradition of black, going back to some of Orville's instruments. They bought barrels of clear nitro, and added dye (yellow, brown or cherry) for shooting sunbursts, and bronze powder for Goldtops and ES-295s. ![]() Before the Sixties Gibson used very little paint.
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